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China is
a country with a long history and developed civilization. Classical Chinese
furniture developed from ancient time and has long been considered a highlight
of rich China cultural heritage.
Fine lacquered wooden furniture had already
appeared as early as the Han Dynasty (B.C 206 – A.D 220). In Northern and
Southern Dynasties (A.D 420 – 589), the Chinese began to change the habit of
kneeling or sitting crossed-legged on a platform to sitting with legs pendant
on a stool. This gave rise to furniture of level height. During the Song and
Yuan dynasties, carpentry skills had reached a high standard including its
exquisite carvings, precision joinery and the use of very precious valued
hardwood, sources mostly from local but some were imported from the southern
Asia countries today known as Burma, Vietnam, Thailand etc. During Ming
dynasty, the hardwoods sourced even as far as South East Asia, India etc.
Historical documents demonstrate that
pre-Ming furniture making was already well developed both in skill and design,
but very little has survived. Although from Ming and early Qing times, this is
consider the Golden Age of classical Chinese furniture, even with ample supply
of precious hardwood wood and superb craftsmanship, little only have been
preserved from the large numbers that were made respectively. Pieces from this
period are high–valued antiques and today is extremely hard to find any. It is
necessary to be a connoisseur to evaluate and collect such pieces.
Ming designs (1368 – 1644) is characterized
by a simple, elegant structure with fluent lines and pleasing proportions that
fully bringing out the special qualities of furniture frame-structure. Precise
and solid joining with a tight mortise and tenon structure and the use of plain
and elegant ornamentation also formed a distinct artistic style. Metalwork such
as hinges, handles and lock plates etc were also develop to complement the
graceful design of each pieces. These were no longer simply functional items of
furniture but had become objects of beauty even in modern home today.
Great emphasis was also placed on the use
of the natural beauty of the wood grain like Huanghuali, Zitan. Heitan and
Jichimu together with adopting latticework and openwork carving make it even
more unique and precious. Hardwood furniture was frequently found in the homes
of wealth, but was even more common in the homes of nobles and officials.
Furniture produced in early Qing dynasty (1644 – 1911)
was similar to Ming period and continued to display simple, elegant lines and
beautiful curves. However, the furniture design gradually changed and by end of
the 18th century, the purity of Ming furniture had been replaced by
angular forms, overly ornate carving, with numerous small elements, elaborately
carved and inlaid decoration. In addition to shell and enamel chips, brilliant,
colourful and artistically grained jade, marble, ivory etc are used for inlaid
designs. Due to the highest level of achievement in technical and design in the
Ming and Qing dynasties, most re-production classical Chinese furniture making
today follows the unique traditional design from these two periods.
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